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Jane Morrow
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Cultural Trends journal article: Array Collective in conversation with Jane Morrow

  It was great to be invited to interview representatives of Array Collective by Dr Steven Hadley, Policy & Reviews Editor of Cultural Trends journal. Cultural Trends is a peer-reviewed international journal which ‘provides in-depth analysis of the cultural sector and cultural policy. It offers timely investigations into key issues in the arts, culture and…

19 May 2023
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What a Way to Make a Living: how labour precarity and a lack of recognition for artists’ work create the conditions for burnout

    This academic essay is from a while back, and has been published in Intersections, the postgraduate journal for multidisciplinary exchange of research and practice at Ulster University, but I’d realised that i hadn’t shared it here…   What a Way to Make a Living: how labour precarity and a lack of recognition for artists’…

28 January 2023
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Arts & Business NI blog post: Cultivate the studio sector to enrich the arts ecology

  With so much going on, and having produced so many pieces of writing recently, I forgot to add this blog post that I wrote for Arts & Business NI in November 2021. If you want to read it on the A&BNI site, you can do so here.   Trustees’ Week Series 2021| Cultivate the…

27 May 2022
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VAI Visual Artists’ News Sheet: Interview with Jennifer Trouton: One of Many

The March/April 2022 painting special issue of The Visual Artists’ News Sheet is out now,  click here to view. VAN’s March/April themed issue hinges upon the extraordinary insights of painters, including my interview with Jennifer Trouton, below. This bumper edition (48 pages) features 42 articles, 94 images, and 35,000 words. Well done Joanne!     One of…

03 February 2022
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VAI Visual Artists’ News Sheet: Mediating Signals, Flax Art Studios

  Mediating Signals Curated by Edy Fung, ‘MEDIATING SIGNALS’ took place in two phases at Flax Art Studios, Havelock House, Belfast. The first, ‘Tracing Algo-rhythm’ (29 June – 3 July) presented the work of Julie Louise Bacon, Helena Hamilton and Una Walker; the second, ‘Assigning Ambiguity’ (6 – 10 July) exhibited works by Martin Boyle,…

03 September 2021
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Circa review: Aimée Nelson, Belfast School of Art BFA Degree Show

  Extrospection is a word, but feels funny in our mouths and on a keyboard. Non-introspective is mechanical, perceptive, woolly. This presentation of work is – I think – both introspective and perceptive: the journey to all-knowledge starts with self-knowledge? I don’t really know, if I’m honest. I immediately shied away from the references to…

10 September 2019
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Bake-ini Body: Cake Daddy Review

Ross Anderson-Doherty Belfast Book Festival, The Crescent Arts Centre, 8 June 2019 Commissioned by Disability Arts Online   The Northern Irish word ‘quare’ doesn’t translate well across the English-speaking globe. The Urban Dictionary (hive mind of obscure sexual terms which could also have been invented for our regional vernacular) defines it thus: ‘noticeable, exceptional, strange…

11 June 2019
Maurice Hobson, photograph from 'Faces Caught in Time' (detail), photograph by Simon Mills courtesy of University of Atypical

VAI Visual Artists’ News Letter: University of Atypical (organisational profile)

University of Atypical JANE MORROW DISCUSSES THE 25-YEAR EVOLUTION OF THE UNIVERSITY OF ATYPICAL, BELFAST   Most organisations would throw a big, indulgent party for their 25thbirthday. It’s not that the former Arts & Disability Forum don’t love a party – they do – but they elected instead to mark this key anniversary by asking…

02 November 2018
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Circa review: Travis Somerville, Golden Thread Gallery

Travis Somerville: Homeland Insecurity Golden Thread Gallery, Belfast, 4 August – 22 September 2018   In Fourth year English Literature, we had to read A History of the World in 10½ Chapters. One tends to try to forget these things quickly, and with the exception of this book and a (perhaps rash) aversion to Shakespeare,…

21 September 2018
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Circa review: Belfast School of Art MFA Fine Arts Degree Show – Cathy Cannon and Joey O’Gorman

  It starts with a fly. That too-warm room in a relatively-new-but-potentially-already-sick-building, a buzz (both literal and figurative) coming and going, untraceable amongst the always already information heavy degree show experience. But then there is a fly – a painted one, which disrupts in a more focused way. It’s rendered perfectly amidst a fruit bowl…

11 July 2018
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